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Of the thousands of models, artists, podcast directors, and other miscellaneous fashion week types present, it would be generous to say that 60 were on the dancefloor. The crowd is here to experience the opening night of 29Rooms, a giant pop-up experiential installation presented by Refinery29 this year during New York Fashion Week. Page Six went as far as billing it a "massive Brooklyn rave"—co-hosted by Drew Barrymore. Currently celebrating its tenth anniversary, the fashion blogging giant has transformed the warehouse into a maze of 29 customized rooms, each designed by a different collaborator including photographer Danielle Levitt, Solange's music label Saint Records, women's organization Lower Eastside Girls Club, and major brands like Old Navy, Fossil, and Puma.

Venus X is no stranger to the fashion world, but it's a little strange to see her perform in a setting in which she isn't an integral element. Their partnership and HBA's unexpected success are, in part, responsible for the fashion world's current obsession with youth subcultures, and specifically rave culture. The fashion-rave symbiosis dates back to the 80s, but has seen a renaissance since , the year that brought us Chanel x Chromatics, Saint Laurent x Daft Punk, and Rick Owens x Zebra Katz.

Miley later joined Jeremy Scott on the runway to debut her line of kandi-inspired jewelry, with the afterparty held at mega-club Space Ibiza New York. Edgy electronic music has been an important part of the underground fashion world for a while; what's changing is that big brands are starting to notice, and using it to assert their relevance.

In other words, the old-garde fashion industry, notoriously resistant to integrating the technology and priorities of youth culture, has been wisening up as of late. From worldwide fashion week producer IMG's acquisition of their biggest stateside competitor MADE Fashion Week, to Calvin Klein's Grindr-esque ad campaign , the scramble to find what makes millennials tick or better yet, hit "purchase" is beginning to show in a big way.

Which begs the question: Who benefits when rave hits the runway? Can big business and counter-culture help each other out? Does this subcultural appropriation devalue the work of independent musicians, or is all fair in love and techno? It's worth mentioning that the same warehouse where 29Rooms took place has also been home to Shade —a roving party series from local promoters Ladyfag and Seva Granik that effortlessly brings together the city's underground dance music and fashion worlds onto a sweaty occasionally giant penis-dominated dancefloor.

In the case of 29Rooms, however, the party felt like an every-which-way mash-up of independent artists and corporate entities. On one hand, there were charming installations like the one by Canadian photographer and visual artist Petra Collins: a pink bathroom complete with a tub that unlodged nostalgic memories of girlish coming-of-age.

In another room, the particle board walls of a Nordstrom Rack room were drilled with eight eye-sized peepholes. When people realized they were looking at scenes of affordable clothes on hangers with themes like Alice in Wonderland and Wizard of Oz , the reaction was unanimous: "Oh damn, I thought I was going to see naked people.

The final room was the dancefloor—a space that literally existed in the middle of content and commerce. The non-cohesive nature of this lineup—a big-name British DJ, two underground club acts, and a socialite—provided a diverse musical experience, but also felt like a misguided attempt to cover all bases.

Refinery was hardly the only Big Fashion brand of the season tapping into underground club culture for cool. Tisci called upon Ladyfag to curate the event, who dusted the place with crushed junkyard cars, fluoro lights, relics of 80s club culture, and the obligatory herd of food trucks.

The Ladyfag seal of approval also meant that, alongside the hoards of A-listers like Kim and Kanye, Liv and Steven Tyler, and Courtney Love, members of the club scene also had a presence. Party personality Sussi Suss was a crowd favorite, demanding attention with her seven-foot stature and checkered yellow ensemble. Post-show parasites ourselves included remembered her vibrating presence from VFiles' Wednesday night afterparty at Space Ibiza New York.

She shook the room, no doubt, but there's a difference between a company like VFiles—which is owned by former V magazine executive editor Julie Anne Quay—co-signs avant-garde socialites than when Givenchy, or even Jeremy Scott , does the same.

Underground musicians and alternative fashion brands help create each other out of a need for representation. Communities that participated in a burgeoning culture—by going to see Speakerfoxxx play since she broke out on the scene in , or buying something from VFiles' webshop as early as —did so because other fashion brands at the time weren't offering anything that catered to them. The success that came from tapping into that market was success born from a sense of understanding, symbiotic in ethic and aesthetic.

When new adopting-big businesses rep rave, it's purely as a reaction to the growing popularity of the scene, not as a means to give underrepresented populations a voice. Follow Laura Reilly on Twitter.

The Terms of Use are like a binding contract in order that you realize what you'll be Some people freindfinder x name them “Meet and Fuck Apps”, but other people Bisexual, queer, and questioning males are equally welcome on Grindr​. Who benefits when rave hits the runway—and what do we lose? Venus X's name is synonymous with best friend Shayne Oliver's young but competitor MADE Fashion Week, to Calvin Klein's Grindr-esque ad campaign.

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Of the thousands of models, artists, podcast directors, and other miscellaneous fashion week types present, it would be generous to say that 60 were on the dancefloor.

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How Big Fashion Appropriated Rave Culture at New York Fashion Week

Xennials also known as the Oregon Trail Generation and Generation Catalano are the micro- generation of people on the cusp of the Generation X and Millennial demographic cohorts , typically born in the late s to early s. Xennials are described as having had an analog childhood and a digital adulthood. In , Xennial was included in Merriam-Webster 's "Words We're Watching" section, which discusses new words which are increasingly being used, but which do not yet meet criteria for a dictionary entry. The neologistic term Xennials is a portmanteau blending the words Generation X and Millennials to describe a "micro-generation" [1] [2] or "cross-over generation" [3] of people whose birth years are between the late s and the early to mid s. Dan Woodman, an Australian sociologist, was credited by the Australian media with inventing it, but said he did not coin it.

To browse Academia. Skip to main content. Log In Sign Up. Peder Gammeltoft. Reitzels Forlag A. Iceland Appendix 2. Faroe Islands. It has been a pleasure and a privilege to have had the opportunity to peer through the looking glass and gaze at the wonders of this world.

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